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In a scene where the crowd has seen and listened to almost every DJ in the world and where every weekend one can choose from at least 3 DJ’s playing in different clubs one of the most important things for a successful party is the concept. Metropolis Music Ltd will present and promote for the first time in Bulgaria a big event with a dress code. On the 19th of December the Winter sports palace in Sofia will be the ballroom for the Christmas :: Ball in White. Big and fairy decorations in white, dancers in white, video animations in white and a white dancing crowd – this will be in short the party on this Friday.
Metropolis Music Ltd has the ambition to make this party a tradition the weekend before Christmas every year.
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Nick Warren became one of the first so-called "superstar DJs" in the mid- to late '90s, holding down a high-profile residency at Cream in England, touring around the world, and appearing on several DJ mix albums before they became commonplace. Though he spun an eclectic array of dance styles in the late '80s and early '90s, he eventually championed the late-'90s trance sound of labels like Hooj Choons and joined the ranks of other superstar DJs like Paul Oakenfold, Sasha, and Tall Paul. Furthermore, he dabbled a bit in production, collaborating with Jody Wisternoff as Way Out West.
Before leading a jet-set lifestyle, Warren moved to Bristol in the 1980s after having just turned 20. By the early '90s, he was one of the city's top DJs, spinning upstairs at Vision, one of the city's first superclubs. At the time, Warren spun everything from dub and hip-hop to house, which became his preferred style. When fellow Bristol artists Massive Attack left to tour America in the wake of their early success, they invited Warren to accompany them on tour as their official DJ, a testament to his turntable skills as well as his reputation at the time.
Eventually, Warren began a massively successful stint as the resident DJ at Cream in Liverpool. The club's stature grew quickly, as did Warren's as a result. Mixmag asked him to mix a volume in its Mixmag Live! series, which the magazine tagged as the "Future Sound of Europe." Around this same time, the mid- to late '90s, Warren was also garnering quite a bit of attention for his Way Out West collaboration with Wisternoff, resulting in several popular singles for Deconstruction, most notably "The Gift," as well as a self-titled full-length featuring the group's hits.
Next came an opportunity to mix the third volume in the then relatively obscure Global Underground series of DJ mix albums. The resulting mix, Global Underground: Prague (1997), featured several anthems of the time such as "Cafe del Mar," "Life on Mars," and "Nipple Fish" helping to define the evolving trance sound of the late '90s. Warren's mix proved so successful that he was offered the opportunity to mix a second volume, Global Underground: Brazil (1998), and then yet more successive volumes in the increasingly popular series. Moreover, DMC offered Warren the chance to mix the first volume in its Back to Mine series of downtempo albums. In particular, 2001 was a big year for Warren; the New York-based Mixer magazine chose his Renaissance: Revelation mix album on Ultra Records (also featuring Danny Howells) as its album of the year, and his second Way Out West album, Intensify, also proved to be a favorite among not only listeners but critics as well. Further Global Underground volumes followed in 2003 (Global Underground: Reykjavik), 2005 (Global Underground: Shanghai), and 2007 (Global Underground: Paris).
The last installment in the Clobal Underground series is his lates mix CD GU Lima which he will promote on the 19 December in Sofia.
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DJ, remixer, records producer, one-night and club tour creator, radio speaker. It’s impossibile not to think to Joe T. Vannelli, if you wanna think to a polyhedric and transversal dance artist. Every Saturday Night from 11 to midnite - JTV broadcasts Slave To The Rhythm on Radio Deejay, the most listened italian radio network (6 million listeners a day). Slave To The Rhythm is dedicated to the best buzz house tracks in the world: 60 minutes of mixed house music.
The same buzz house tracks played by JTV worldwide – in January 2008 he performed in Japan – and during his one-night Supalova. Supalova is born in autumn 2000 and quickly become one of the most worldwide loved dance event. Supalova is celebrated every thursday night in Milano. Once a mounth it becomes a tour in Italian top clubs. Supalova is also the title of an house compilation collection, arrived to its 14th volume in winter 2007. Every session is a big successful for people and critics.
In 2004 JTV first album “Who fucked the dj?” (double cd) was out: a great collection, very respected by everyone. This is Joe T. Vannelli (or just a part of him!). We’ve to remember we’re talking about a very famous dj, very famous in Italy and abroad, used to dj in the best dancefloors worldwide, from New York to Los Angeles, from London to Paris, from Ibiza to Mikonos, Dubai, Tokio, Amsterdam, Oslo, Hamburg, Zurich, Sidney Melbourne, Santo Domingo. Unforgettable his gigs in parties such as Ministry of Sound, Soap, Renaissance, Cream and many others. Excellent his last tour in Australia, this year he’s playing in Ibiza, Madeira, Munchen, Dubai, Amsterdam, London, Dublin, Helsinki…
With his recording label Jt Company he has just remixed legends such as Masters At Work, Danny Tenaglia and David Guetta. Top DJ's to be added to Giorgio Moroder, Bohannon, Thelma Houston, Space 2000, Bobby Brown, Mark Morrison, Eartha Kitt and produced Robert Miles, Spiller, Pink Coffee, Justine Mattera, Nina Moric, Csilla, Rockets, Kronos. Anything else? His voice was used for tv and radio spot for Smart, Lotto, Fiat, he was testimonial for brands like Burn, Mtv, Camel Yahama, Axe, Robe di Kappa, Levi’s, World Dj Fund. He won 1999 Dj Awards in Pacha Ibiza for his contribute to dijing industry. The best thing is to follow his during his radio show and during his Supalova one-night. And repeat his favourite slogan "House Forever"...
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Way back in 1988 Samuel bought his first mixer and a pair of regular turntables. That was his first step into the music business. Mixing everything from hiphop, house and techno he began to explore the phenomenon of mixing. In 1991 he formed a party organization with his friend Max Reich, and started to pull off parties around Gothenburg. During the same time Samuel also started spinning outside his bedroom. When Max got a proper studio in 1995, he felt it was time to take a step further, so he asked Max to teach him the basics about producing. A couple of months after that they formed Solid Beat, a techno label distributed by Neuton. As time went by Samuels skills became more and more polished, so he felt he was ready to move on by himself. Samuel needed to start something of his own. So, 1997 was the year when the first "Cycle" came out in the shops. Titled "Techno Soul Pt 1", it contained laidback grooves for cool out corners.
In the first two years he only released three, but in late spring of 1999 he decided to really have a go on it. And thats when things really took off for Samuel. "In Your Box" became his breakthrough record. Being played by people like Derrick May, Jeff Mills, Umek among others, people out there really started to take notice of him. The following release, "Check Out This I Bring" made him even more shiny as a wider range of jockeys span his wax. The phone started to ring more and more frequently, asking for his services regarding spinning, remixing and releasing. He quickly became a known face at various clubs and events around the world. Before he put "Cycle" on a break in 2001 to form "SLS", eleven releases had seen the light of day. Now with "SLS" on hand he felt trying out other parts of the spectrum . "New Soil" became the first one, a double pack filled with warm, more melodic grooves. The first track,"Velvet", became a hit on the floors and were soon hailed as a classic. In the same period Samuel got invited to do a remix of "Visions Of You" by Blake Baxter & Trevor Rockcliffe. Already a classic record, he was more then pleased to put his own touch on it.
Another big tune he remixed in that time was Funk D'Void's "Diabla" on Soma. It became a well played mix by many. When "Merengue" came out soon after, it became one of his best sold records ever. Slam and Oliver Ho all contributed to the success as their mixes were more then appreciated. Another big favourite from Sls records was Andreas Saag's "Jazz Lesson" record. It sounded like nothing else at the time and broke new ground in a serious way. Laurent Garnier and Rolando were, and still is, huge fans of the record. Between then and today Samuel has released numerous records and they have always found its place within the circuits.
Its fair enough to say that he has made an impact on techno, and its also right to mention that whatever style he takes up hes doing it in his own way. Lately he has been experimenting with a deeper and a more spare sound. "Klap Klap" is the name for this platform. Further explorations will take place at the end of each cycle...
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Билети:
200 билета на промо цена от 20 лв.
Предварително: 25 лв.
На вратата – 30 лв.
Tickets:
200 promo tickets – 20 BGN
Presale – 25 BGN
Door – 30 BGN
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